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System shock final art12/6/2023 We like to think that we are individuals, but we are much more alike that we wish to admit.ģ0 years after People’s Choice, it seems the landscapes which Komar and Melamid painted have become the landscapes in which we live. The art was not the paintings themselves, but the comment they made. “We have been travelling to different countries, engaging in dull negotiations with representatives of polling companies, raising money for further polls, receiving more or less the same results, and painting more or less the same blue landscapes. “In nearly every country all people really wanted was a landscape with a few figures around, animals in the foreground, mainly blue.”ĭespite soliciting the opinions of over 11,000 people, from 11 different countries, each of the paintings looked almost exactly the same.Īfter completing the work, Komar quipped: The pair repeated this process in a number of countries including Russia, China, France and Kenya.Įach piece in the series, titled “People’s Choice”, was intended to be a unique a collaboration with the people of a different country and culture.ĭescribing the work in his book Playing to the Gallery, the artist Grayson Perry said: Komar and Melamid then set about painting a piece that reflected the results. What’s your favourite colour? Do you prefer sharp angles or soft curves? Do you like smooth canvases or thick brushstrokes? Would you rather figures that are nude or clothed? Should they be at leisure or working? Indoors or outside? In what kind of landscape? asked 1,001 US citizens a series of survey questions. Over 11 days the researchers at Marttila & Kiley Inc. Understand what Americans desire most in a work of art. In the early 1990s, two Russian artists named Vitaly Komar and Alexander Melamid took the unusual step of hiring a market research firm.
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